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Chorus Vibrato

Chorus Vibrato

MARSHALL SV 1 SUPERVIBE CHORUS
MARSHALL SV 1 SUPERVIBE CHORUS
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Casio PT 87 Keyboard w Manual ROM Pack in original box great for circut bending
Casio PT 87 Keyboard w Manual ROM Pack in original box great for circut bending
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Lexicon MX200 Hardware Reverb Unit
Lexicon MX200 Hardware Reverb Unit
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BEAUTIFUL CUSTOM CHOPPED PORTABLE HAMMOND B 3 ORGAN B3
BEAUTIFUL CUSTOM CHOPPED PORTABLE HAMMOND B 3 ORGAN B3
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Guitar Effect Pedal Classic Flanger Joyo JF 07 Bypass
Guitar Effect Pedal Classic Flanger Joyo JF 07 Bypass
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Brand NEW Professional Guitar AMP Effect Pedal Classic Flanger JOYO True Bypas
Brand NEW Professional Guitar AMP Effect Pedal Classic Flanger JOYO True Bypas
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Boss CE 2 Chorus Guitar Effect Pedal black lable made in japan
Boss CE 2 Chorus Guitar Effect Pedal black lable made in japan
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BEAUTIFUL EBONY HAMMOND A 105 ORGAN LK 3 C B 100
BEAUTIFUL EBONY HAMMOND A 105 ORGAN LK 3 C B 100
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RARE RED CAPACITOR LATE MODEL B 3 ORGAN AND HAMMOND TONE CABINET
RARE RED CAPACITOR LATE MODEL B 3 ORGAN AND HAMMOND TONE CABINET
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BEAUTIFUL CUSTOM CHOPPED PORTABLE HAMMOND C 3 ORGAN C3
BEAUTIFUL CUSTOM CHOPPED PORTABLE HAMMOND C 3 ORGAN C3
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NEW BEHRINGER ULTRA FLANGER UF300 Pedal BUY IT NOW FREE SHIPPING USA
NEW BEHRINGER ULTRA FLANGER UF300 Pedal BUY IT NOW FREE SHIPPING USA
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NEW BEHRINGER VIRTUALIZER 3D FX2000 BUY IT NOW FREE USA SHIPPING
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Top Quality JOYO Effect Guitar Pedal True Bypass Design Classic Flanger JF 07
Top Quality JOYO Effect Guitar Pedal True Bypass Design Classic Flanger JF 07
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Jim Dunlop Uni Vibe UV 1
Jim Dunlop Uni Vibe UV 1
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Walnut Kimball 752 Spinet Organ with built in Rhythm BandTwo Manual 13 Pedals
Walnut Kimball 752 Spinet Organ with built in Rhythm BandTwo Manual 13 Pedals
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Lexicon MX 200 Effects Processor MX200 Reverb Delay MX 200
Lexicon MX 200 Effects Processor MX200 Reverb Delay MX 200
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Alto L 16 16 Channel Phantom Powered And Fx Professional Mixer
Alto L 16 16 Channel Phantom Powered And Fx Professional Mixer
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3 EFFECT PEDAL BEHRINGER Chorus UC100 Vibrato UV300 PLC Super Distortion
3 EFFECT PEDAL BEHRINGER Chorus UC100 Vibrato UV300 PLC Super Distortion
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Wampler Nirvana Chorus Vibrato Effects Pedal Analog Chorus Pedal Vibrato Pedal
Wampler Nirvana Chorus Vibrato Effects Pedal Analog Chorus Pedal Vibrato Pedal
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BOSS SE 70 Super Effects Processor Made in Japan 09K43 Vintage
BOSS SE 70 Super Effects Processor Made in Japan 09K43 Vintage
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BOSS SE 70 Super Effects Processor Made in Japan P4491
BOSS SE 70 Super Effects Processor Made in Japan P4491
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Electro Harmonix Deluxe Memory Man Analog Delay Pedal with Modulation EH Echo
Electro Harmonix Deluxe Memory Man Analog Delay Pedal with Modulation EH Echo
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Traynor DG30D Guitar Amp 24 bit Digital Effects FREE Shipping 1 Day
Traynor DG30D Guitar Amp 24 bit Digital Effects FREE Shipping 1 Day
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Dunlop Univibe UV 1
Dunlop Univibe UV 1
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Guitar Amp FX Schematics Manuals Fender Gibson more
Guitar Amp FX Schematics Manuals Fender Gibson more
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Digitech Vocalist II Vocal Harmony Processor 5 Part Harmonizer w Footswitch
Digitech Vocalist II Vocal Harmony Processor 5 Part Harmonizer w Footswitch
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BEAUTIFUL CUSTOM CHOPPED HAMMOND A 100 ORGAN 3 C B
BEAUTIFUL CUSTOM CHOPPED HAMMOND A 100 ORGAN 3 C B
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BBE Mind Bender Dual Mode Analog Vibrato Chorus Pedal Stomp Box Free Shipping
BBE Mind Bender Dual Mode Analog Vibrato Chorus Pedal Stomp Box Free Shipping
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Electro Harmonix EHX Stereo Clone Theory chorus vibrato guitar effect pedal
Electro Harmonix EHX Stereo Clone Theory chorus vibrato guitar effect pedal
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EHX Stereo The Clone Theory Chorus Pedal
EHX Stereo The Clone Theory Chorus Pedal
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CASIO WK 7500 76 KEY KEYBOARD WORKSTATION LOOK
CASIO WK 7500 76 KEY KEYBOARD WORKSTATION LOOK
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1939 1942 Hammond BC Organ with 1958 Hammond PR40 Speaker Cabinet NR
1939 1942 Hammond BC Organ with 1958 Hammond PR40 Speaker Cabinet NR
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JOYO Effects Pedal CLASSIC FLANGER FREE Picks
JOYO Effects Pedal CLASSIC FLANGER FREE Picks
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Hughes Kettner PS64 programable tube preamp 12 button floarboard
Hughes Kettner PS64 programable tube preamp 12 button floarboard
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Rolls Rotorhorn RP147 rack mount Leslie simulator Stereo insouts Made in USA
Rolls Rotorhorn RP147 rack mount Leslie simulator Stereo insouts Made in USA
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TC Electronic G System GFX 01
TC Electronic G System GFX 01
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Boss ME 70 COSM Multi Effects Pedal w power supply great shape
Boss ME 70 COSM Multi Effects Pedal w power supply great shape
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Maxon CS 9 Stereo Chorus Pro Chorus Guitar Effect Pedal
Maxon CS 9 Stereo Chorus Pro Chorus Guitar Effect Pedal
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Marshall Haze MHZ40C 1x12 40 watt TUBE Guitar Amp Combo
Marshall Haze MHZ40C 1x12 40 watt TUBE Guitar Amp Combo
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Steinberg Cubase 65 Full Retail Boxed Music Production Software w USB KEY
Steinberg Cubase 65 Full Retail Boxed Music Production Software w USB KEY
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Steinberg Cubase 6 PRO Full Retail Version USB Key included CUBASE 6 RETAIL BOX
Steinberg Cubase 6 PRO Full Retail Version USB Key included CUBASE 6 RETAIL BOX
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Dunlop Uni Vibe Effects Pedal Vibrato and Stereo Chorus Univibe
Dunlop Uni Vibe Effects Pedal Vibrato and Stereo Chorus Univibe
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Zoom G71UT Multi Effects Guitar Effect Pedal Used Excellent condition with box
Zoom G71UT Multi Effects Guitar Effect Pedal Used Excellent condition with box
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NEW PAPER JAMZ MICROPHONE EFFECTS AMP
NEW PAPER JAMZ MICROPHONE EFFECTS AMP
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Boss CE 2 Chorus Guitar Effect Pedal Vintage
Boss CE 2 Chorus Guitar Effect Pedal Vintage
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Line6 Space Chorus Pedal
Line6 Space Chorus Pedal
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TC Helicon VoiceWorks Plus Vocal Harmony Modeling Effects Processor
TC Helicon VoiceWorks Plus Vocal Harmony Modeling Effects Processor
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Korg Lambda ES 50 Vintage Keyboard
Korg Lambda ES 50 Vintage Keyboard
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RARE LATE MODEL RED CAPACITOR HAMMOND EBONY B 3 ORGAN LESLIE 45 SPEAKER B3
RARE LATE MODEL RED CAPACITOR HAMMOND EBONY B 3 ORGAN LESLIE 45 SPEAKER B3
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BEAUTIFUL CUSTOM CHOPPED EBONY HAMMOND A 100 ORGAN 3 C B
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The Musical Instruments People

Synthesizer Fundamentals: Classic 80's Brass

Pop music is often described in cycles: retro music becomes cool, then gets reprocessed and digested by listeners, until the next big thing comes along. While the 80's are (some would say thankfully) long behind us, the sounds from classic records from the era have likewise experienced a reincarnation. The second installment in this series aims to show how to most easily recreate a classic sound heard on many famous songs from the 80's through today: the unmistakable sound of analog brass. While a sample-based approach is often most useful for some applications, there are times when you need that ambiance that can only be achieved through using traditional subtractive methods. Let's go step by step through the programming process.

First, let's establish default settings: Lowpass filter all the way open (100%), envelopes off, and whatever waveform is selected by default. By the way, these sounds should all be achievable on a modern softsynth or any piece of polyphonic hardware (although for a monosynth lead brass sound the same settings will apply.

As far as the oscillators are concerned, a rich waveform is best. Start with a sawtooth waveform, and if one (or more) oscillators is available, set them also to this waveform. It should sound nice and bright. For a two-plus oscillator synth, detuning each oscillator by a few cents (5-10 maximum) will make a bigger, denser sound. This is because the oscillators will now be beating against each other, which our ears interpret as adding harmonic content. Remember to detune one oscillator up and the other down (or in a similar fashion for more oscillators) in order to make the mixed oscillators sound in tune!

Now for the filter. This is the most critical part of the classic 80's brass sounds, as the harmonic content tends to be an important aural "cue" for a listener that makes a sound more readily identifiable. Set the cutoff at about 50%, with a mild (10-20% maximum) amount of resonance. These parameters, and those which follow, are all subject to taste, of course. Use the keyboard tracking parameter in moderation, as you only want the filter to open up some as you play higher up the keyboard. This is designed to emulate the characteristic muted sound as you play higher notes on many brass instruments. Other parameters related to the filter will be discussed below, so ignore any other filter modulation parameters (envelope, LFO, etc.) for now. If there is a highpass filter, pull it up in moderation to thin out the brass some. This is optional, but often makes a big patch sit better in a mix.

On to the envelopes. If you are using a two-envelope machine, so much the better, but really only one envelope is neccesary to achieve many of these sounds. As technology has progressed further, often times one is tempted to use more oscillators, more filters, effects, etc. to make synthesizer-based music. However, working within the limitations offered by some of this now-ancient equipment can still result in very satisfying sounds, if a bit simple by modern standards. With this in mind, set your filter envelope to have the following parameters: medium attack (about 35-50%), a fairly quick decay (around 15-20%), sustain at half, and a moderate release (depending on your playing style and needs, adjust this to quicker values for a more percussive, horn stab-type sound). Play around with the attack and decay settings to optimize your envelopes (which vary in terms of speed) to get a sound with a quick swell in brightness, followed by a more muted sustaining sound.

Now, for LFO modulation(may also be called Vibrato), you may want to use a small amount of modulation on the oscillator pitch. If a delay parameter is available for the LFO, pull it back to about 50%, so as to smoothly transition from an initially in tune sound, to a progressively more quavery sound as you continue to hold notes down. This can add a bit of 80's cheese, so use it tastefully. Also, if a chorus is available, brass sounds can benefit greatly. Enjoy, and hopefully these instructions will put you on the right track to achieving some great 80's brass.

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what song should i sing?

ok so at my school we are having this thing called community day and they want some kids to preform from chorus nd band. i can sing any song i ust have to pass tryouts. what song should i sing? i need suggetions, preferably something that is in an alto to semi soprano range and showcases vibrato and long notes. hopefully something current (2007-2009) but suggest anything even if it doen't exactly fit my description it dosen't have to be exact.

i think the song 'take a bow' by rihanna is a nice song to sing to. the lyrics are easy to remember too.

just a suggestion. :)